Barbara Pravi has established herself as one of the most singular, embodied voices on the contemporary French music scene. A committed artist, she fashions a universe that is both intimate and powerful, with essential themes such as self-love, freedom and resilience running through it.
Her single Voilà made a remarkable debut with the general public, with over 650,000,000 streams, and set off a wave of success that quickly spread beyond France’s borders. With her first album, On n’enferme pas les oiseaux, certified gold, she confirms her demanding, deeply-involved songwriting. This project won her the Victoire de la Musique award for Best Female Newcomer, as well as the Grand Prix Sacem for Song of the Year.
Barbara Pravi’s many influences, from Serbia to Iran, Poland and France, nourish her work with a cultural and personal richness that lends her repertoire a rare intensity. This artistic approach also extends to her writing, with Lève-toi, an illustrated Franco-Arab manifesto published by Éditions Julliard, a sensitive and committed work that testifies to the breadth of her artistic expression.
An accomplished stage artist, she has already given over 250 concerts in some twenty countries, imposing a magnetic and deeply inhabited presence. At the same time, she is actively involved in social issues, putting her reputation at the service of causes that are essential to her.
At the crossroads of music and storytelling, Barbara Pravi develops a sensitive, contemporary work that resonates with new forms of artistic creation and the challenges of sound.

Jean-Luc Péart began his career in the film industry by taking part in the shooting of short films, first as a boom operator, then as a sound engineer, working on increasingly ambitious projects. He first worked as a boom operator before becoming a sound engineer, collaborating on increasingly ambitious projects.
His career path has led him to work on both documentaries and feature films, developing a solid expertise in picture sound. His technical and artistic approach bears witness to the particular attention he pays to the quality and precision of sound recording on shoots.
A cinema enthusiast, he is also a member of the CNC’s classification commission, participating in the evaluation and regulation of works broadcast in France.
As a member of the Commission Supérieure Technique de l’image et du son (CST), he is fully involved in a process of reflection and innovation around the sound and image professions.

A graduate engineer from the Conservatoire National des Arts et Métiers (CNAM), Christian Hugonnet founded the association “La Semaine du Son” in 1998, to educate the general public and raise awareness of the importance of the quality of our sound environment. A Court of Cassation-approved expert, he has also run a consulting firm in acoustics for auditoriums and recording studios since 1993, and teaches sound recording at various international film schools.